Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.

While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.


Early life and education
Schubert was born in Vienna on January 31, 1797. His father, Franz Theodor Schubert, the son of a Moravian peasant, was a parish schoolmaster; his mother, Elizabeth Vietz was the daughter of a Silesian master locksmith, and had also been a housemaid for a Viennese family prior to her marriage. Of the Schuberts' sixteen children (one illegitimate child was born in 1783)[1], eleven died in infancy; five survived. Their father Franz Theodor was a well-known teacher, and his school on the Himmelpfortgrund, a part of Vienna's 9th district, was well attended. He was not a famous musician, but he taught his son what he could of music.

At the age of five, Schubert began receiving regular instruction from his father and a year later was enrolled at the Himmelpfortgrund school. His formal musical education also began around the same time. His father continued to teach him the basics of the violin. At seven, Schubert was placed under the instruction of Michael Holzer. Holzer's lessons seem to have mainly consisted of conversations and expressions of admiration[2] and the boy gained more from his acquaintance with a friendly joiner's apprentice who used to take him to a neighboring pianoforte warehouse where he was given the opportunity to practice on better instruments. The unsatisfactory nature of Schubert's early training was even more pronounced during his time given that composers could expect little chance of success unless they were also able to appeal to the public as performers. To this end, Schubert's meager musical education was never entirely sufficient.

In October 1808, he was received as a pupil at the Stadtkonvikt (Imperial religious boarding school) through a choir scholarship. It was at the Stadtkonvikt that Schubert was introduced to the overtures and symphonies of Mozart. His exposure to these pieces as well as various lighter compositions combined with his occasional visits to the opera set the foundation for his greater musical knowledge.

Meanwhile, his genius was already beginning to show itself in his compositions. Antonio Salieri, a leading composer of the period, became aware of the talented young man and decided to train him in musical composition and music theory. Schubert's early essay in chamber music is noticeable, since we learn that at the time a regular quartet-party was established at his home "on Sundays and holidays," in which his two brothers played the violin, his father the cello and Franz himself the viola. It was the first germ of that amateur orchestra for which, in later years, many of his compositions were written. During the remainder of his stay at the Stadtkonvikt he wrote a good deal more chamber music, several songs, some miscellaneous pieces for the pianoforte and, among his more ambitious efforts, a Kyrie (D.31) and Salve Regina (D.27), an octet for wind instruments (D.72/72a) (said to commemorate the death of his mother, which took place in 1812) a cantata (D.110), words and music, for his father's name-day in 1813, and the closing work of his school-life, his first symphony (D.82).

Teacher at his father's school
At the end of 1813 he left the Stadtkonvikt, and entered his father's school as teacher of the lowest class. In the meantime, his father remarried, this time to Anna Kleyenboeck, the daughter of a silk dealer from the suburb Gumpendorf. For over two years the young man endured the drudgery of the work, which he performed with very indifferent success. There were, however, other interests to compensate. He received private lessons in composition from Salieri, who did more for Schubert’s training than any of his other teachers.

Supported by friends
As 1815 was the most prolific period of Schubert's life, 1816 saw the first real change in his fortunes. Somewhere about the turn of the year his old schoolfriend Joseph von Spaun surprised him in the composition of Erlkönig (D.328, published as Op.1) — Goethe's poem propped among a heap of exercise books, and the boy at white-heat of inspiration began "hurling" the notes on the music-paper. A few weeks later Franz von Schober, a student of good family and some means, who had heard some of Schubert's songs at Spaun's house, came to pay a visit to the composer and proposed to carry him off from school-life and give him freedom to practise his art in peace. The proposal was particularly opportune, for Schubert had just made an unsuccessful application for the post of Kapellmeister at Laibach and was feeling more acutely than ever the slavery of the classroom. His father's consent was readily given, and before the end of the spring he was installed as a guest in Schober's lodgings. For a time he attempted to increase the household resources by giving music lessons, but they were soon abandoned, and he devoted himself to composition. "I write all day," he said later to an inquiring visitor, "and when I have finished one piece I begin another."

All this time his circle of friends was steadily widening. Mayrhofer introduced him to Johann Michael Vogl, a famous baritone, who did him good service by performing his songs in the salons of Vienna; Anselm Hüttenbrenner and his brother Joseph ranged themselves among his most devoted admirers; Joseph von Gahy, an excellent pianist, played his sonatas and fantasias; the Sonnleithners, a burgher family whose eldest son had been at the Stadtkonvikt, gave him free access to their home, and organized in his honor musical parties which soon assumed the name of Schubertiaden. The material needs of life were supplied without much difficulty. No doubt Schubert was entirely penniless, for he had given up teaching, he could earn nothing by public performance, and, as yet, no publisher would take his music as a gift; but his friends came to his aid with true Bohemian generosity — one found him lodging, another found him appliances, they took their meals together and the man who had any money paid the score. Schubert was always the leader of the party, but more often than not, was penniless. Though he was known by half a dozen affectionate nicknames, the most characteristic was kann er was? ("Is he good for anything?"), or more colloquially, "Can he pay?" (for the food and drink), his usual question when a new acquaintance was introduced. Another nickname was "The Little Mushroom" as Schubert was only five feet, one and one-half inches tall (1.56 m), and tended to corpulence.

The compositions of 1820 are remarkable, and show a marked advance in development and maturity of style. The unfinished oratorio "Lazarus" (D.689) was begun in February; later followed, amid a number of smaller works, by the 23rd Psalm (D.706), the Gesang der Geister (D.705/714), the Quartettsatz in C minor (D.703), and the "Wanderer Fantasy" for piano (D.760). But of almost more biographical interest is the fact that in this year two of Schubert's operas appeared at the Kärntnerthor Theater, Die Zwillingsbrüder (D.647) on June 14, and Die Zauberharfe (D.644) on August 19. Hitherto his larger compositions (apart from Masses) had been restricted to the amateur orchestra at the Gundelhof, a society which grew out of the quartet-parties at his home. Now he began to assume a more prominent position and address a wider public. Still, however, publishers remained obstinately aloof, and it was not until his friend Vogl had sung Erlkönig at a concert (Feb. 8, 1821) that Anton Diabelli hesitatingly agreed to print some of his works on commission. The first seven opus numbers (all songs) appeared on these terms; then the commission ceased, and he began to receive the meagre pittances which were all that the great publishing houses ever accorded to him. Much has been written about the neglect from which he suffered during his lifetime. It was not the fault of his friends, it was only indirectly the fault of the Viennese public; the persons most to blame were the cautious intermediaries who stinted and hindered him from publication.

The production of his two dramatic pieces turned Schubert's attention more firmly than ever in the direction of the stage; and towards the end of 1821 he set himself on a course which for nearly three years brought him continuous mortification and disappointment. Alfonso und Estrella was refused, and so was Fierrabras (D.796); Die Verschworenen (D.787) was prohibited by the censor (apparently on the ground of its title); Rosamunde (D.797) was withdrawn after two nights, owing to the poor quality of its libretto. Of these works the two former are written on a scale which would make their performances exceedingly difficult (Fierabras, for instance, contains over 1,000 pages of manuscript score), but Die Verschworenen is a bright attractive comedy, and Rosamunde contains some of the most charming music that Schubert ever composed. In 1822 he made the acquaintance both of Weber and of Beethoven, but little came of it in either case, though Beethoven cordially acknowledged his genius, the quote attributed to Beethoven being: "Truly, the spark of divine genius resides in this Schubert!" Schober was away from Vienna; new friends appeared of a less desirable character; on the whole these were the darkest years of his life.

In 1994 musicologist Rita Steblin discovered Schubert's brother Karl's marriage petition on the attic floor of the Lichtental church. The composer's own wish to marry Therese Grob was hindered by Metternich's harsh marriage consent law of 1815, as Schubert's heart-rending cry in his diary of September 1816 makes clear.

Last years and masterworks
In 1823 appeared Schubert's first song cycle, Die schöne Müllerin (D.795), after poems by Wilhelm Müller. This work, together with the later cycle "Winterreise" (D.911; also written to texts of Müller) is widely considered one of the pinnacles of Lieder. The song Du bist die Ruh ("You are stillness/peace") D.776 was also composed during this year.

In the spring of 1824 he wrote the Octet in F (D.803), "A Sketch for a Grand Symphony"; and in the summer went back to Želiezovce, when he became attracted by Hungarian idiom, and wrote the Divertissement a l'Hongroise (D.818) and the String Quartet in A minor (D.804). It has been said that he held a hopeless passion for his pupil Countess Karoline Eszterházy; if this is the case, the details are unknown to historians.

Despite his preoccupation with the stage and later with his official duties, he found time during these years for a good deal of miscellaneous composition. The Mass in A flat (D.678) was completed and the "Unfinished Symphony" (Symphony No. 8 in B minor, D.759) begun in 1822. The question of why the symphony was "unfinished" has been debated endlessly and is still unresolved. To 1824, beside the works mentioned above, belong the variations for flute and piano on Trockne Blumen, from the cycle Die schöne Müllerin. There is also a sonata for piano and arpeggione (D.821). This music is nowadays usually played by either cello or viola and piano, although a number of other arrangements have been made.

The mishaps of the recent years were compensated by the prosperity and happiness of 1825. Publication had been moving more rapidly; the stress of poverty was for a time lightened; in the summer there was a pleasant holiday in Upper Austria, where Schubert was welcomed with enthusiasm. It was during this tour that he produced his "Songs from Sir Walter Scott". This cycle contains his famous and beloved Ellens dritter Gesang (D.839). This is today more popularly, though mistakenly, referred to as "Schubert's Ave Maria"; while he had set it to Adam Storck's German translation of Scott's hymn from The Lady of the Lake that happens to open with the greeting Ave Maria and also has it for its refrain, subsequently the entire Scott/Storck text in Schubert's song have occasionally been substituted with the complete Latin text of the traditional Ave Maria prayer. During this time he also wrote the Piano Sonata in A minor (D.845, Op. 42) and the Symphony No. 9 (in C major, D.944), which is believed to have been completed the following year, in 1826.

From 1826 to 1828 Schubert resided continuously in Vienna, except for a brief visit to Graz in 1827. The history of his life during these three years is little more than a record of his compositions. There were few events worth mention during this period. In 1826, he dedicated a symphony to the Gesellschaft der Musikfreunde and received an honorarium in return. In the spring of 1828 he gave, for the first and only time in his career, a public concert of his own works which was very well received. But the compositions themselves are a sufficient biography. The String Quartet in D minor (D.810), with the variations on Death and the Maiden, was written during the winter of 1825–1826, and first played on January 25, 1826. Later in the year came the String Quartet in G major, the "Rondeau brilliant" for piano and violin (D.895, Op.70), and the Piano Sonata in G (D.894, Op.78) (first published under the title "Fantasia in G"). To these should be added the three Shakespearian songs, of which "Hark! Hark! the Lark" (D.889) and "Who is Sylvia?" (D.891) were allegedly written on the same day, the former at a tavern where he broke his afternoon's walk, the latter on his return to his lodging in the evening.

In 1827 Schubert wrote the song cycle Winterreise (D.911), a colossal peak of the art of art-song (remarkable is already the way it was presented at the Schubertiades), the Fantasia for piano and violin in C (D.934), and the two piano trios (B flat, D.898; and E flat, D.929): in 1828 the Song of Miriam, the Mass in E-flat (D.950), the Tantum Ergo (D.962) in the same key, the String Quintet in C (D.956), the second Benedictus to the Mass in C, the last three piano sonatas, and the collection of songs published posthumously under the fanciful name of Schwanengesang ("Swan-song", D.957), which whilst not a true song cycle, retains a unity of style amongst the individual songs, touching unwonted depths of tragedy and the morbidly supernatural. Six of these are to words by Heinrich Heine, whose Buch der Lieder appeared in the autumn. The Symphony No. 9 (D.944) is dated 1828, and many modern Schubert scholars (including Brian Newbould) believe that this symphony, written in 1825-6, was revised for performance in 1828 (a fairly unusual practice for Schubert, for whom publication, let alone performance, was rarely contemplated for many of his larger-scale works during his lifetime). In the last weeks of his life he began to sketch three movements for a new Symphony in D (D.936A).

The works of his last two years reveal a composer increasingly meditating on the darker side of the human psyche and human relationships, and with a deeper sense of spiritual awareness and conception of the 'beyond', reaching extraordinary depths in several chillingly dark songs of this period, especially in the larger cycles, (the song Der Doppelgaenger reaching an extraordinary climax, conveying madness at the realization of rejection and imminent death, and yet able to touch repose and communion with the infinite in the almost timeless ebb and flow of the String Quintet). Schubert expressed the wish, were he to survive his final illness, to further develop his knowledge of harmony and counterpoint.

Death
In the midst of this creative activity, his health deteriorated. He contracted syphilis in 1822. The final illness may have been typhoid fever, though other causes have been proposed; some of his final symptoms match those of mercury poisoning (mercury was a common treatment for syphilis in the early 19th century). At any rate, insufficient evidence remains to make a definitive diagnosis. His solace in his final illness was reading, and he had become a passionate fan of the writings of James Fenimore Cooper. He died aged 31 on Wednesday November 19, 1828[3] at the apartment of his brother Ferdinand in Vienna. At 3 p.m. "someone observed that he had ceased to breathe." By his own request, he was buried next to Beethoven, whom he had adored all his life, in the village cemetery of Währing. In 1888, both Schubert's and Beethoven's graves were moved to the Zentralfriedhof, where they can now be found next to those of Johann Strauss II and Johannes Brahms.

In 1872, a memorial to Franz Schubert was erected in Vienna's Stadtpark.


Style
Schubert composed music for a wide range of ensembles and in various genres including opera, liturgical music, chamber and solo piano music.

While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths".[1] His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.

It was in the genre of the Lied, however, that Schubert made his most indelible mark. Plantinga remarks, "In his more than six hundred lieder he explored and expanded the potentialities of the genre as no composer before him." [4] Prior to Schubert's influence, lieder tended toward a strophic, syllabic treatment of text, evoking the folksong qualities burgeoned by the stirrings of Romantic nationalism[5]. Among Schubert's treatments of the poetry of Goethe, his settings of Gretchen am Spinnrade and Der Erlkönig are particularly striking for their dramatic content, forward-looking uses of harmony, and their use of eloquent pictorial keyboard figurations, such as the depiction of the spinning wheel and treadle in the piano in Gretchen and the furious and ceaseless gallop the right hand in Erlkönig. Also of particular note are his two song cycles on the poems of Wilhelm Müller, Die schöne Müllerin and Winterreise, and the collection Schwanengesang, all of which helped to establish the genre and its potential for musical, poetic, and dramatic narrative. In turn, Schubert's work in Lieder fostered interest in shorter and more lyrical instrumental works.

Schubert's compositional style progressed rapidly throughout his short life. The loss of potential masterpieces caused by his early death at 31 was perhaps best expressed in the epitaph on his tombstone written by the poet Franz Grillparzer, "Here music has buried a treasure, but even fairer hopes."

Posthumous history of Schubert's music
Some of his smaller pieces were printed shortly after his death, but the more valuable seem to have been regarded by the publishers as so much waste paper. In 1838 Robert Schumann, on a visit to Vienna, found the dusty manuscript of the C major symphony (the "Great", D.944) and took it back to Leipzig, where it was performed by Felix Mendelssohn and celebrated in the Neue Zeitschrift. There continues to be some controversy over the numbering of this symphony, with German-speaking scholars numbering it as symphony No. 7, the revised Deutsch catalogue (the standard catalogue of Schubert's works, compiled by Otto Erich Deutsch) listing it as No. 8, and English-speaking scholars listing it as No. 9.

Fifty of his songs were transcribed for piano by Franz Liszt, who declared Schubert to be "the most poetic musician who has ever lived".

The most important step towards the recovery of the neglected works was the journey to Vienna which Sir George Grove (of "Grove's Dictionary of Music and Musicians" fame) and Arthur Sullivan made in the autumn of 1867. The travellers rescued from oblivion seven symphonies, the Rosamunde incidental music, some of the Masses and operas, some of the chamber works, and a vast quantity of miscellaneous pieces and songs. This led to more widespread public interest in Schubert's work.

Another controversy, which originated with Grove and Sullivan and continued for many years, surrounded the "lost" symphony. Immediately before Schubert's death, his friend Eduard von Bauernfeld recorded the existence of an additional symphony, dated 1828 (although this does not necessarily indicate the year of composition) named the "Letzte" or "Last" symphony. It has been more or less accepted by musicologists that the "Last" symphony refers to a sketch in D major (D.936A), identified by Ernst Hilmar in 1977, and which was realised by Brian Newbould as the Tenth Symphony.

Notes

• 1. Rita Steblin, "Franz Schubert - das dreizehnte Kind", Wiener Geschichtsblätter, 3/2001, pp. 245-65.
• 2. Maurice J. E. Brown, The New Grove Schubert, ISBN 0-393-30087-0, pp. 2–3
• 3. Calendar Converter by John Walker
• 4. Leon Plantinga, Romantic Music: A History of Musical Style in Nineteenth-Century Europe, published by Norton, 1984, p. 117
• 5. ibid. pp. 107-117.

Further reading

• Brian Newbould, Schubert: The Music and the Man. University of California Press, 1999. ISBN 0-520-21957-0.
• Christopher H. Gibbs [ed.], "The Cambridge Companion to Schubert", Cambridge University Press, 1997.
• Christopher H. Gibbs, The Life Of Schubert, Cambridge University Press, 2000. ISBN 0-521-59512-6
• Rita Steblin, "Schubert's Relationship with Women: An Historical Account," in: Schubert Studies, ed. Brian Newbould, Ashgate, 1998, pp. 159-182.
• Rita Steblin, "In Defense of Scholarship and Archival Research: Why Schubert's Brothers Were Allowed to Marry," Current Musicology 62 (1998): 7-17.

How Schubert's compositions are listed
The indication "D" or "D." refers to "Deutsch", that is Otto Erich Deutsch, who created a catalogue of Schubert's works listed chronologically by composition date. This catalogue has been amended several times because historical research led to a new probable date of composition, leading to numbers followed by a letter: for example D.769a, formerly D.900.
br> Fewer than 100 of Schubert's compositions received an Opus number during Schubert's life: about half of the Opus numbers are posthumous, and give no indication at all regarding a chronological - or any other - order, except regarding the chronological order of publication. By the end of the 19th century no new opus numbers were added; for new publications the Deutsch number was used.

The Numbering of Schubert's Symphonies
Between 1813 and 1818 Schubert wrote six symphonies, now known as Nos.1-6. In 1818 he drafted a four-movement symphony in E (now No.7) in outline but only orchestrated the start of the first movement. In 1822 he composed and orchestrated two movements of a symphony in B minor (now No.8, the ‘Unfinished’) and drafted part of a third movement; whether or not he had drafted a finale remains moot. In 1825-26 he completed a large symphony in C major (now No.9, the ‘Great’). There are in addition numerous sketches and fragments for other symphonies, and in the 1970s it was realized that these included the nearly-complete draft of a three-movement Symphony in D from the summer and autumn of 1828. A performing version of this work was orchestrated by Brian Newbould as Symphony No.10.
br> The first Schubert Symphony to be performed was the ‘Great’: this was designated by Schubert’s brother Ferdinand as ‘No.7’ as early as the 1830s. In the 1840s the thematic catalogue of Schubert’s works prepared by Alois Fuchs accepted this numbering and also called the drafted E major symphony ‘No.8’. The two completed movements of the B minor symphony were not performed until 1865, and it was George Grove who decided that this symphony – the ‘Unfinished’ - should be No.8, with the E major dropping to No.7 and the Great C major becoming No.9. Though this has been the preferred numbering ever since, not least because it respects the chronological order of these works, the old numbering of the Great C major as No.7 has been remarkably persistent and is still sometimes encountered. In addition to this the revised Deutsch catalogue edited by Walter Dürr and Arnold Fell has proposed that the E major Symphony should have no number, that the ‘Unfinished’ should be called ‘No.7’ and the Great C major ‘No.8’: but this view, as well as being illogical – the E major Symphony is essentially an entire work, as various completions have shown – is unlikely to prevail over current practice.
br>

• D 1 Fantasia in G for Piano Duet
• D 2 String Quartet in G fragment
• D 2a Overture in D for orchestra ; was D 996
• D 2b Fragment of a Symphony in D; was D 997
• D 2c Fragment of a String Quartet in d/F; was D 998
• D 2d Six minuets for piano; was D 995
• D 2e Fantasia in c for piano; was D 993
• D 2f Trio of a minuet in C sketch
• D 3 Movements for String Quartet published in 1978
• D 4 Overture to "Der Teufel als Hydraulicus"
• D 5 Song "Hagar's Klage"
• D 6 Song "Des Mädchens Klage"
• D 7 Song "Eine Leichenphantasie"
• D 8 Overture for String Quintet in c published in 1970
• D 8a Overture for String Quartet in c arrangement of D 8
• D 9 Fantasia in g for Piano duet
• D 10 Song "Der Vatermörder"
• D 11 Operetta "Der Spiegelritter" First act only, incomplete
• D 12 Overture in D for Orchestra
• D 13 Fugue in d not printed
• D 14 Overture for Piano lost
• D 15 Song "Der Geistertanz" two fragmentary sketches
• D 16 Exercises in Imitation
• D 17 Settings of "Quel' innocente figlio" for various voices (exercises for Salieri)
• D 18 String Quartet No. 1 (in mixed keys)
• D 19 String Quartet (in mixed keys) lost
• D 19a String Quartet (in mixed keys) lost
• D 19b Waltzes and March lost
• D 20 Overture for String Quartet in B flat lost
• D 21 Six Variations in E flat lost
• D 22 Twelve Minuets with Trios lost
• D 23 Song "Klaglied"
• D 24 Variations in F unpublished
• D 24a Fugue in C (for organ?)
• D 24b Fugue in G (for organ?)
• D 24c Fugue in d (for organ?)
• D 24d Fugue in C for piano fragment
• D 24e Mass (in F?) fragment
• D 25 Exercises in Counterpoint not printed
• D 25c Fugue in F for piano fragment
• D 26 Overture in D for Orchestra
• D 27 Salve Regina in F for Soprano, Orchestra, and Organ
• D 28 Trio in B flat, called Sonata for Piano, Violin, and Cello
• D 29 Andante in C for Piano arrangement of String Quartet No. 3
• D 30 Song "Der Jüngling am Bache"
• D 31 Kyrie to a Mass in d for Chorus, Orchestra and Organ
• D 32 String Quartet No. 2 in C
• D 33 Settings of "Entra l'uomo allor che nasce" for various voices
• D 34 Setting of "Te solo adoro" for four mixed voices exercise for Salieri
• D 35 Setting of "Serbate, o Dei custodi" for various voices exercise for Salieri
• D 36 String Quartet No. 3 in B flat
• D 37 Song "Die Advokaten"
• D 37a Fugal sketches in B flat; was D 967
• D 38 Trio "Totengräberlied"
• D 39 Sketch of a song "Ich sass an einer Tempelhalle am Musenhain" not printed
• D 39a Three minuets and trios lost
• D 40 String Quartet in E flat lost, possibly identical with D 87
• D 41 Minuets with Trios for Piano in an easy style"
• D 41a Fugue in e for piano fragment
• D 42 Song "Misero pargoletto"
• D 43 Trio "Dreifach ist der Schritt der Zeit ..."
• D 44 Song "Totengräberlied"
• D 45 Kyrie in B flat
• D 46 String Quartet No. 4 in C
• D 47 Song for Mixed Chorus with Tenor Soli and Piano "Dithyrambe" fragment
• D 48 Fantasia in c for Piano Duet called "Grande Sonate"
• D 49 Kyrie in d for Chorus and Orchestra fragment
• D 50 Song "Die Schatten"
• D 51 Trio "Unendliche Freude"
• D 52 Song "Sehnsucht" first version, second version is D 636
• D 53 Trio "Vorüber die stöhnende Klage"
• D 54 Canon "Unendliche Freude"
• D 55 Trio "Selig durch die Liebe"
• D 56 Sanctus, Canon for three voices in B flat
• D 57 Trio "Hier strecket der wallende Pilger"
• D 58 Trio "Dessen Fahne Donnerstürme wallte"
• D 59 Song "Verklärung"
• D 60 Trio "Hier umarmen sich getreue Gatten"
• D 61 Song "Ein jügendlicher Maienschwung"
• D 62 Trio "Thronend auf erhabnem Sitz"
• D 63 Trio "Wer die steile Sternenbahn"
• D 64 Trio "Majestät'sche Sonnenrosse"
• D 65 Canon "Schmerz verzerret ihr Gesicht"
• D 66 Kyrie in F for Chorus, Orchestra, and Organ
• D 67 Trio "Frisch atmet des Morgens lebendiger Hauch"
• D 68 String Quartet No. 5 in B flat two Allegro movements, others probably lost
• D 69 Canon "Dreifach ist der Schritt der Zeit" for three voices
• D 70 Canon "Ewig still steht die Vergangenheit" for three voices
• D 71 Trio "Die zwei Tugendwege"
• D 71a Canon "Alleluja" in F
• D 71b Fugue in e for piano fragment
• D 71c Fragment of an Orchestral Score in D; was D 966a
• D 72 Minuet and finale in F of an Octet for Winds
• D 72a Allegro in F for wind octet unfinished
• D 73 Song "Thekla"
• D 74 String Quartet No. 6 in D
• D 75 Drinking song for Bass solo with male chorus and piano
• D 76 Song "Pense, che questo istante"
• D 77 Song "Der Taucher" first version, second is D 111
• D 78 Song "Son fra l'onde"
• D 79 "Eine kleine Trauermusik" for Winds
• D 80 Kantate zur Namensfeier des Vaters
• D 81 Song "Auf den Sieg der Deutschen" accompaniment of two violins and cello
• D 82 Symphony No. 1 in D
• D 83 Song "Zur Namensfeier des Herrn Andreas Siller" with violin and harp
• D 84 Opera "Des Teufels Lustschloss" 23 numbers
• D 85 Offertory in C fragment, not printed
• D 86 Minuet in D for String Quartet
• D 87 String Quartet No. 10 in E flat
• D 87a Andante in C (for string quartet?)
• D 88 Canon "Verschwunden sind die Schmerzen"
• D 89 Five Minuets with six Trios for String Quartet
• D 90 Five "Deutsche Tänze" with Coda and seven Trios for String Quartet
• D 91 Two Minuets and Four Trios for Piano unpublished
• D 92 Canon for Two Voices lost
• D 93 Three Songs of Don Gayseros
• D 94 String Quartet No. 7 in D
• D 94a Orchestral fragment in B flat
• D 94b Five minuets and six Deutsche with trios lost
• D 95 Song "Adelaide"
• D 96 Guitar Quartet arrangement of Wenzel Matiegka's Notturno for flute, viola, and guitar, opus 21
• D 97 Song "Trost. An Elisa"
• D 98 Song "Erinnerung"
• D 99 Song "Andenken"
• D 100 Song "Geisternähe"
• D 101 Song "Erinnerung (Totenopfer)"
• D 102 Song "Die Betende"
• D 103 String Quartet in c
• D 104 Song "Die Befreier Europa's in Paris"
• D 105 Mass No. 1 in F
• D 106 Salve Regina in B flat for Tenor, Orchestra, and Organ
• D 107 Song "Lied aus der Ferne"
• D 108 Song "Der Abend"
• D 109 Song "Lied der Liebe"
• D 110 Cantata "Wer ist gross?" for Bass solo and chorus with orchestra
• D 111 Song "Der Taucher" second version, first is D 77
• D 111a String trio in B flat fragment, lost
• D 112 String Quartet No. 8 in B flat
• D 113 Song "An Emma"
• D 114 Song "Romanze"
• D 115 Song "An Laura, als sie Klopstocks Auferstehunglied sang"
• D 116 Song "Der Geistertanz"
• D 117 Song "Das Mädchen aus der Fremde"
• D 118 Song "Gretchen am Spinnrade" opus 2
• D 119 Song "Nachtgesang"
• D 120 Song "Trost in Tränen"
• D 121 Song "Schäfers Klagelied" opus 3 No. 1. Two versions.
• D 122 Song "Ammenlied"
• D 123 Song "Sehnsucht" two versions
• D 124 Song "Am See"
• D 125 Symphony No. 2 in B flat
• D 126 Song "Szene aus Goethe's Faust"
• D 127 Canon "Selig alle, die im Herrn entschlafen" lost
• D 128 Twelve "Wiener Deutsche Tänze" for Piano
• D 129 Trio "Mailied"
• D 130 Canon for three voices "Der Schnee zerrinnt"
• D 131 Two Canons for three voices "Lacrimoso son io"
• D 132 Trio "Lied beim Rundtanz" lost
• D 133 Trio "Lied im Freien" lost
• D 134 Song "Ballade"
• D 135 Trio for Piano to the Waltz opus 127 No. 3 see D 139
• D 136 "Erstes Offertorium" in C for Soprano, Tenor, Clarinet or Violin Concertante, Orchestra, and Organ
• D 137 Opera "Adrast" fragment, thirteen numbers only
• D 138 Song "Rastlose Liebe" opus 5 No. 1
• D 139 Walzer in C# for Piano with Trio in A
• D 141 Song "Klage um Ali Bey"
• D 142 Song "Der Mondabend"
• D 142 Song "Geistes-Gruss"
• D 143 Song "Genügsamkeit"
• D 144 Song "Romanze"
• D 145 Twelve Walzer, seventeen Ländler, and nine Écossaises for Piano opus 18
• D 146 Twenty Walzer for Piano called "Letzte Wlazer"
• D 147 Trio "Bardengesang"
• D 148 Song "Trinklied"
• D149 Song "Der Sänger" 'Was hör ich draussen vor der Tür'
• D 150 Song "Loda's Gespenst"
• D 151 Song "Auf einen Kirchhof"
• D 152 Song "Minona"
• D 153 Song "Als ich sie erröten sah"
• D 154 Allegro in E for Piano first movement of a sonata
• D 155 Song "Das Bild"
• D 156 Ten Variations in F for Piano
• D 157 Sonata (No. 1) in E for Piano
• D 158 Écossaise in F for Piano
• D 159 Song "Die Erwartung"
• D 160 Song "Am Flusse"
• D 161 Song "An Mignon" opus 19 No. 2
• D 162 Song "Nähe des Geliebten" opus 5 No. 2
• D 163 Song "Sängers Morgenlied"
• D 164 Song "Liebesrausch" first version, fragment, second version is D 179
• D 165 Song "Sängers Morgenlied"
• D 166 Song "Amphiaraos"
• D 167 Mass No. 2 in G (the "Mass in G")
• D 168 Quartet "Begräbnislied"
• D 168a Osterlied formerly D 987
• D 169 Unison Song "Trinklied vor der Schlacht"
• D 170 Song with Chorus "Schwertlied"
• D 171 Song "Geber während der Schlacht"
• D 172 Song "Der Morgenstern"
• D 173 String Quartet No. 9 in g
• D 174 Song "Das war ich"
• D 175 Stabat Mater in g for chorus, orchestra, and organ
• D 176 Song "Die Sterne"
• D 177 Song "Vergebliche Liebe"
• D 178 Adagio in G for Piano two versions
• D 179 Song "Liebesrausch" second version
• D 180 Song "Sehnsucht der Liebe"
• D 181 Offertory in a for chorus, orchestra, and organ
• D 182 Song "Die erste Liebe"
• D 183 Song "Trinklied"
• D 184 Gradual in C for chorus, orchestra, and organ
• D 185 Second Dona Nobis for the Mass in F, for Quartet with mixed chorus, orchestra, and organ for D 105
• D 186 Song "Die Sterbende"
• D 187 Song "Stimme der Liebe"
• D 188 Song "Naturgenuss"
• D 189 Song "An die Freude"
• D 190 Singspiel "Der vierjährige Posten", No. 5 "Gott! höre meine Stimme"
• D 191 Song "Der Mädchens Klage"
• D 192 Song "Der Jüngling am Bache"
• D 193 Song "An den Mond"
• D 194 Song "Die Mainacht"
• D 195 Song "Amalia"
• D 196 Song "An die Nachtigall"
• D 197 Song "An die Apfelbäume, wo ich Julien erblickte"
• D 198 Song "Seufzer"
• D 199 "Mailied" for two voices or two horns
• D 200 Symphony No. 3 in D
• D 201 Song "auf den Tod einer Nachtigall"
• D 202 "Mailied" for two voices or two horns
• D 203 "Der Morgenstern" for two voices or two horns
• D 204 "Jägerlied" for two voices or two horns
• D 205 "Lützow's wilde Jagd" for two voices or two horns
• D 206 Song "Liebeständelei"
• D 207 Song "Der Liebende"
• D 208 Song "Die Nonne" first version
• D 209 Song "Der Liedler"
• D 210 Song "Die Liebe (Freudvoll und Liedvoll)"
• D 211 Song "Adelwold und Emma"
• D 212 Song "Die Nonne" second version
• D 213 Song "Der Traum"
• D 214 Song "Die Laube"
• D 215 Song "Jägers Abendlied" first version, second is D 368
• D 216 Song "Meeres Stille" opus 3 No. 2
• D 217 Song "Colma's Klage"
• D 218 Song "Grablied"
• D 219 Song "Das Finden"
• D 220 Singspiel "Fernando" in one act, 7 numbers
• D 221 Song "Der Abend"
• D 222 Song "Lieb Minna"
• D 223 Salve Regina (Zweites Offertorium) in F for Soprano, orchestra, and organ two versions
• D 224 Song "Wandrers Nachtlied" I opus 4 No. 3
• D 225 Song "Der Fischer" opus 5 No. 3
• D 226 Song "Erster Verlust" opus 5 No. 4
• D 227 Song "Idens Nachtgesang"
• D 228 Song "Von Ida"
• D 229 Song "Die Erscheinung"
• D 230 Song "Die Täuschung"
• D 231 Song "Das Sehnen"
• D 232 Quartet "Hymne an den Unendlichen"
• D 233 Song "Geist der Liebe"
• D 234 Song "Tischlied"
• D 235 Song "Abends unter der Linde"
• D 236 Song "Das Abendrot" for three voices with piano
• D 237 Song "Abends unter der Linde"
• D 238 Song "Die Mondnacht"
• D 239 Singspiel "Claudine von Villa Bella" incomplete
  • 1. "Das hast du wohl bereitet"
  • 2. "Frölicher, seliger, herrlicher Tag!"
  • 3. "Hin und wieder fliegen die Pfeile"
  • 4. "Alle Freuden alle Gaben"
  • 5. "Es erhebt sich eine Stimme"
  • 6. "Liebe schwärmt auf allen Wegen"
  • 7. "Mit Mächen sich vertragen"
  • 8. "Deinem Willen nach zugeben"
  • 9. "Liebliches Kind, kannst du mir sagen"
  • 10. "Mich umfangt ein banger Schauer"
• D 240 Song "Huldigung"
• D 241 Song "Alles um Liebe"
• D 242a Song "Winterlied " fragment
• D 245 Song "An den Frühling"
• D 246 Song "Der Bürgschaft"
• D 247 Song "Die Spinnerin"
• D 248 Song "Lob des Tokayers"
• D 249 Cantata "Die Schlacht" sketch, not printed. Second sketch is D 387
• D 250 Song "Das Geheimnis"
• D 251 Song "Hoffnung" first version, second is D 637
• D 252 Song "Das Mädchen aus der Fremde" second setting, first setting is D 117
• D 253 Song "Punschlied. Im norden zu singen"
• D 254 Song "Der Gott und die Bajadere"
• D 255 Song "Der Rattenfänger"
• D 256 Song "Der Schatzgräber"
• D 257 Song "Heidenröslein"
• D 257 Song "La Rose Sauvage" opus 3 No. 3
• D 258 Song "Bundeslied"
• D 259 Song "An den Mond"
• D 260 Song "Wonne der Wehmut"
• D 261 Song "Wer kauft Liebesgötter?"
• D 262 Song "Die Fröhlichkeit"
• D 263 Song "Cora an die Sonne"
• D 264 Song "Der Morgenkuss"
• D 265 Song "Abendständchen. An Lina"
• D 266 Song "Morgenlied"
• D 267 Quartet "Trinklied"
• D 268 Quartet "Bergknappenlied"
• D 269 Trio "Das Leben"
• D 270 Song "An die Sonne"
• D 271 Song "Der Weiberfreund"
• D 272 Song "An die Sonne"
• D 273 Song "Lilla an die Morgenröte"
• D 274 Song "Tischerlied"
• D 275 Song "Totenkranz für ein Kind"
• D 276 Song "Abendlied"
• D 277 Trio "Punschlied"
• D 278 Song "Ossians Lied nach dem Falle Nathos'"
• D 279 Sonata No. 2 in C
• D 280 Song "Das Rosenband"
• D 281 Song "Das Mädchen von Inistore"
• D 282 Song "Cronnan"
• D 283 Song "An den Frühling"
• D 284 Song "Lied"
• D 285 Song "Furcht der Geleibten"
• D 286 Song "Selma und Selmar"
• D 287 Song "Vaterlandslied"
• D 288 Song "An Sie"
• D 289 Song "Die Sommernacht"
• D 290 Song "Die frühen Gräber"
• D 291 Song "Dem Unendlichen"
• D 291b Song "Dem Unendlichen"
• D 292 Song "Klage"
• D 293 Song "Shilric und Vinvela"
• D 294 "Namensfeier" für Franz Michael Vierhalter
• D 295 Song "Hoffnung"
• D 296 Song "An den Mond"
• D 297 Song "Augenlied"
• D 298 Song "Liane"
• D 299 Twelve Écossaises for Piano
• D 300 Song "Der Jüngling an der Quelle"
• D 301 Song "Lambertine"
• D 302 Song "Labetrank der Liebe"
• D 303 Song "An die Geliebte"
• D 304 Song "Wiegenlied"
• D 305 Song "Mein Gruss an den Mai"
• D 306 Song "Skolie"
• D 307 Song "Die Sternenwelten"
• D 308 Song "Die Macht der Liebe"
• D 309 Song "Das Gestörte Glück"
• D 310 Song "Sehnsucht" two versions
• D 311 Song "An den Mond"
• D 312 Song "Hektors Abschied"
• D 313 Song "Die Sterne"
• D 314 Song "Nachtgesang"
• D 315 Song "An Rosa I"
• D 316 Song "An Rosa II"
• D 317 Song "Idens Schwanenlied"
• D 318 Song "Schwanengesang"
• D 319 Song "Luisens Antwort"
• D 320 Song "Der Zufriedene"
• D 321 Song "Kennst du das Land?"
• D 321 Song "Mignon"
• D 322 Song "Hermann und Thusnelda"
• D 323 Song "Klage der Ceres"
• D 324 Mass No. 3 in B flat
• D 325 Song "Harfenspieler I"
• D 326 Singspiel "Die Freunde von Salamanka" 18 numbers
• D 327 Song "Lorma"
• D 328 Song "Erlkönig" Opus 1, 1815
• D 329 Song "Die dei Sänger"
• D 329a Sketch of a quartet "Das Grab"
• D 330 Song "Das Grab" first version, second is D 377, third is D 569
• D 331 Quartet "Der Entfernten"
• D 332 Quartet "Der Entfernten" lost
• D 333 Trio "Lass dein Vertrauen nicht schwinden" lost
• D 334 Minuet in A with Trio for Piano
• D 335 Minuet in E with two trios for Piano
• D 336 Minuet in D with Trio for Piano
• D 337 Song for Male Chorus "Die Einsiedelei"
• D 338 Song for Male Chorus "An den Frühling"
• D 339 Trio "Amor's Macht" lost
• D 340 Trio "Badelied" lost
• D 341 Trio "Sylphen" lost
• D 342 Song "Seraphine an ihr Klavier" called "An mein Klavier"
• D 343 Song "Am Tage Aller Seelen called "Litanei auf das Fest Aller Seelen"
• D 344 Song "Am ersten Maimorgen" unpublished
• D 345 Concerto, called Konzertstück, in D for Violin & orchestra
• D 346 Allegretto in C for Piano fragment
• D 347 Allegro moderato in C for Piano fragment
• D 348 Andantino in C for Piano fragment
• D 349 Adagio in C for Piano fragment
• D 350 Song "Der Entfernten"
• D 351 Song "Fischerlied"
• D 352 Song "Licht und Liebe" called "Nachtgesang"
• D 353 String Quartet No. 11 in E
• D 354 Four "Kornische Ländler" in D
• D 355 Eight Ländler in f# for Piano
• D 356 Quartet "Trinklied"
• D 357 Canon "Gold'ner Schein" for three voices
• D 358 Song "Die Nacht"
• D 359 Song "Lied der Mignon"
• D 360 Song "Lied eines Schiffers an die Dioskuren"
• D 361 Song "Am Bach im Frühlinge"
• D 362 Song "Lied" first version, second is D 501
• D 363 Song "An Chloen" fragment, not printed
• D 364 Quartet "Fischerlied"
• D 365 Thirty-six Originaltänze for Piano opus 9
• D 366 Seventeen Deutsche Tänze, called Ländler, for Piano
• D 367 Song "Der König in Thule" opus 5 No. 5
• D 368 Song "Jägers Abendlied" second version, opus 3 No. 4
• D 369 Song "An Schwager Kronos" opus 19 No. 1
• D 370 Eight Ländler in D for Piano
• D 371 Song "Klage"
• D 372 Song "An die Natur"
• D 373 Song "Lied"
• D 374 Six Ländler in B flat for violin solo
• D 375 Song "Der Tod Oskar's"
• D 376 Song "Lorma"
• D 377 Song "Das Grab", called "Das stille Land"
• D 378 Eight Ländler in B flat for Piano
• D 379 Deutsches Salve Regina, in F
• D 380 Two Minuets with a trio to each, for piano
• D 381 Song "Morgenlied"
• D 382 Song "Abendlied"
• D 383 Stabat Mater in F
• D 384 Sonatina in D for Piano and Violin op. posth. 137 No. 1
• D 385 Sonatina in a for Piano and Violin op. posth. 137 No. 2
• D 386 Salve Regina in B flat
• D 387 Cantata "Die Schlacht" sketch
• D 388 Song "Laura am Klavier" two versions
• D 389 Song "Des Mädchens Klage" third version, first is D 6, second is D 191
• D 390 Song "Entzückung an Laura" first version, second is D 577
• D 391 Song "Die vier Weltalter"
• D 392 Song "Pflügerlied"
• D 393 Song "Die Einsiedelei"
• D 394 Song "Gesang an die Harmonie" called "An die Harmonie"
• D 395 Song "Lebensmelodien"
• D 396 Song "Gruppe aus dem Tartarus" first version, fragment, not printed
• D 397 Song "Ritter Toggenburg"
• D 398 Song "Frühlingslied"
• D 399 Song "Auf den Tod einer Nachtigall"
• D 400 Song "Die Knabenzeit"
• D 401 Song "Winterlied"
• D 402 Song "Der Flüchtling"
• D 403 Song "Lied" ("Ins stille Land") two versions
• D 404 Song "Whemut" called "Die Herbstnacht"
• D 405 Song "Der Herbstabend"
• D 406 Song "Abschied von der Harfe"
• D 407 Cantata "Beitrag zur fünfzigjähren Jubelfeier des Herrn Salieri" first version, second is D 441
• D 408 Sonatina in g for Piano and Violin op. posth. 137 No. 3
• D 409 Song "Die verfehlte Stunde" two versions
• D 410 Song "Sprache der Liebe"
• D 411 Song "Daphne am Bach"
• D 412 Song "Stimme der Liebe"
• D 413 Song "Entzückung"
• D 414 Song "Geist der Liebe"
• D 415 Song "Klage"
• D 416 Song "Lied in der Abwesenheit"
• D 417 Symphony No. 4 in c (C minor), called "The Tragic"
• D 418 Song "Stimme der Liebe"
• D 419 Song "Julius an Theone"
• D 420 Twelve Deutsche Tänze for Piano
• D 421 Six Écossaises for Piano
• D 422 Quartet "Naturgenuss" opus 16 No. 2
• D 423 Trio "Andenken"
• D 424 Trio "Erinnerung"
• D 425 Trio "Lebenslied" lost
• D 426 Trio "Trinklied" lost
• D 427 Trio "Trinklied im Mai"
• D 428 Trio "Widerhall"
• D 429 Song "Minnelied"
• D 430 Song "Die frühe Liebe"
• D 431 Song "Blumenlied"
• D 432 Song "Der Liedende" called "Klage" two versions
• D 433 Song "Seligkeit" called "Minnelied"
• D 434 Song "Erntelied"
• D 435 Opera "Die Bürgschaft" in three acts, unfinished, 16 numbers
• D 436 Song "Klage" first version, second is D 437
• D 437 Song "Klage" second version, unpublished
• D 438 Rondo in A for Violin solo and string orchestra
• D 439 Quartet "An die Sonne"
• D 440 "Chor der Engel" for mixed chorus
• D 441 (Trio) "Beitrag zur fünfzigjähren Jubelfeier des Herrn Salieri" for two tenors and bass with piano second version, first is D 407
• D 442 Song "Das grosse Halleluja"
• D 443 Song "Schlachtgesang" called "Schlachtlied"
• D 444 Song "Der Gestirne"
• D 445 Song "Edone"
• D 446 Song "Die Liebesgötter"
• D 447 Song "An den Schlaf"
• D 448 Song "Gott im Frühlinge"
• D 449 Song "Der gute Hirt"
• D 450 Song "Fragment aus dem Aeschylus" two versions
• D 451 Cantata "Prometheus" for the Nameday of Heinrich Josef Watteroth
• D 452 Mass No. 4 in C second Benedictus is D 961
• D 453 Requiem in c (C minor) fragment of 64 bars, not published
• D 454 Song "Grablied auf einen Soldaten"
• D 455 Song "Freude der Kinderjahre"
• D 456 Song "Das Heimweh"
• D 457 Song "An die untergehende Sonne"
• D 458 Song "Aus Diego Manazares"
• D 459 Sonata No. 3 in E, called "Fünf Klavierstücke"
• D 460 Tantum ergo in C for chorus, orchestra, and organ
• D 461 Tantum ergo in C for soli, chorus, and orchestra
• D 462 Song "An Chloen"
• D 463 Song "Hochzeit-Lied"
• D 463 Song "Hochzeitslied"
• D 464 Song "In der Mitternacht"
• D 465 Song "Trauer der Liebe"
• D 466 Song "Die Perle"
• D 467 Song "Pflicht und Liebe"
• D 468 Song "An den Mond"
• D 469 Song "Mignon" two versions, incomplete
• D 470 Overture in B flat for orchestra
• D 471 Trio for Strings in B flat
• D 472 Kantate zu Ehren Josef Spendou's for solo voices, chorus and orchestra
• D 473 Song "Liedesend"
• D 474 Song "Lied des Orpheus, als er in die Hölle ging" called "Orpheus"
• D 475 Song "Abschied (nach einer Wallfahrtsarie)"
• D 476 Song "Rückweg"
• D 477 Song "Alte Liebe rostet nie"
• D 478 Song "Harfenspieler I" opus 12 No. 1, two versions
• D 479 Song "Harfenspieler II" opus 12 No. 3, two versions
• D 480 Song "Harfenspieler III" opus 12 No. 2, three versions
• D 481 Song "Lied der Mignon" fourth version, others are D 310, D 359, D 877
• D 482 Song "Der Sänger am Felsen"
• D 483 Song "Lied" ("Ferne von der grossen Stadt")
• D 484 Song "Gesang der Geister über den Wassern" fragment
• D 485 Symphony No. 5 in B flat
• D 486 Magnificat in C
• D 487 Adagio & Rondo Concertante in F for piano, violin, viola, and cello
• D 488 Duet "Auguste jam coelestium" for soprano and tenor with orchestra
• D 489 Song "Der Unglückliche" called "Der Wanderer" first version
• D 490 Song "Der Hirt"
• D 491 Song "Geheimnis"
• D 492 Song "Zum Punsche"
• D 493 Song "Der Wanderer" second version, opus 4 No. 1
• D 494 "Der Geistertanz" for Chorus
• D 495 Song "Abendlied der Fürstin"
• D 496 Song "Bei dem Grabe meines Vaters"
• D 497 Song "An die Nachtigall"
• D 498 Song "Wiegenlied"
• D 499 Song "Abendlied"
• D 500 Song "Phidile"
• D 501 Song "Zufriedenheit"
• D 502 Song "Herbstleid"
• D 503 Song "Mailied" unpublished
• D 504 Song "Am Grabe Anselmos" opus 6 No. 3
• D 505 Adagio in D flat for Piano
• D 506 Rondo in E for Piano
• D 507 Song "Skolie"
• D 508 Song "Lebenslied"
• D 509 Song "Leiden der Trennung"
• D 510 Song "Vedi, quanto adoro" (from Metastasio's "Didone abbandonata")
• D 511 Écossaise in E flat for Piano
• D 512 Song "Der Leidende" called "Klage" (third version, unpublished, other versions are D 432)
• D 513 Quartet "La Pastorella" for Male Chorus
• D 514 Song "Die abgeblühte Linde" opus 7 #1
• D 515 Song "Der Flug der Zeit" opus 7 #2
• D 516 Song "Sehnsucht" opus 8 #2
• D 517 Song "Der Schäfer und der Reiter" opus 13 #1
• D 518 Song "An den Tod"
• D 519 Song "Die Blumensprache"
• D 520 Song "Frohsinn"
• D 521 Song with chorus "Jaglied"
• D 522 Song "Die Liebe"
• D 523 Song "Trost"
• D 524 Song "Der Alpenjäger" (opus 13 #3)
• D 525 Song "Wie Ulfru fischt" opus 21 #3
• D 526 Song "Fahrt zum Hades"
• D 527 Song "Schlaflied" (opus 24 #2)
• D 528 Song "La pastorella al prato"
• D 529 Eight Écossaises for piano
• D 530 Song "An eine Quelle"
• D 531 Song "Der Tod und das Mädchen" (opus 7 #3)
• D 532 Song "Das Lied vom Reifen"
• D 533 Song "Täglich zu singen"
• D 534 Song "Die Nacht"
• D 535 Song with accompaniment for small orchestra "Lied"
• D 536 Song "Der Schiffer" (opus 21 #2)
• D 537 Sonata #4 in a op. posth. 164
• D 538 Quartet "Gesang der Geister über den Wassern" (other settings are D 484, 704, 705, and D 714)
• D 539 Song "Am Strome" (opus 8 #4)
• D 540 Song "Philoktet"
• D 541 Song "Memnon" opus 6 #1
• D 542 Song "Antigone und Oedip" opus 6 #2
• D 543 Song "Auf dem See"
• D 544 Song "Ganymed" opus 19 #3
• D 544a Song "Bros Before Hos" opus 21 #8
• D 545 Song "Der Jüngling und der Tod"
• D 546 Song "Trost im Liede"
• D 547 Song "An die Musik"
• D 548 Song "Orest auf Tauris"
• D 549 Song "Mahomet's Gesang" first version, second is D 721
• D 550 Song "Die Forelle" opus 32, five versions
• D 551 Song "Pax vobiscum"
• D 552 Song "Hänflings Liebeswerbung" opus 20 #3
• D 553 Song "Auf der Donau" opus 21 #1
• D 554 Song "Uraniens Flucht"
• D 555 A Song without title or words
• D 556 Overture in D for orchestra
• D 557 Sonata #5 in A flat for piano
• D 558 Song "Liebhaber in allen Gestalten"
• D 559 Song "Schweizerlied"
• D 560 Song "Der Goldschmiedsgesell"
• D 561 Song "Nach einem Gewitter"
• D 562 Song "Fischerlied"
• D 563 Song "Die Einsiedelei" (second version, first is D 393, setting for quartet is D 337)
• D 564 Song "Gretchens Bitte"
• D 565 Song "Der Strom"
• D 566 Sonata #6 in e
• D 567 Sonata in D flat for Piano (first version of sonata in E flat, D 568)
• D 568 Sonata #8 in E flat (for trio, see D 593)
• D 569 Song "Das Grab"
• D 570 Scherzo in D and fragment of Allegro in f# for piano
• D 571 Allegro in f# for piano (unfinished sonata)
• D 572 "Lied im Freien" for Chorus
• D 573 Song "Iphigenia"
• D 573a Lesson in notation
• D 574 Sonata in A for Piano and Violin (op. posth. 162)
• D 575 Sonata #9 in B for Piano (op. posth. 147)
• D 576 Thirteen Variations on a theme by Anselm Hüttenbrenner, in a, for piano
• D 577 Song "Die Entzückung an Laura" (second version, two fragments, first version is D 390)
• D 578 Song "Abschied" called "Abschied von einem Freunde"
• D 579 Song "Der Knabe in der Wiege (Wiegenlied)"
• D 580 Polonaise in B flat for violin and string orchestra
• D 581 Trio for Strings in B flat
• D 582 Song "Augenblicke im Elysium" (lost)
• D 583 Song "Gruppe aus dem Tartarus" opus 24 #1
• D 583 Song "Gruppe aus dem Tartarus" (2nd ver.)
• D 584 Song "Elysium"
• D 585 Song "Atys"
• D 586 Song "Erlafsee" opus 8 #3
• D 587 Song "An den Frühling"
• D 588 Song "Der Alpenjäger"
• D 589 Symphony #6 in C
• D 590 Overture (in the Italian Style) in D for orchestra
• D 591 Overture (in the Italian Style) in C for orchestra
• D 592 Overture in D for piano duet
• D 593 Two Scherzi, in B flat and D flat, for piano (arrangement of D 590)
• D 594 Song "Der Kampf"
• D 595 Song "Thekla"
• D 596 Song "Lied eines Kindes"
• D 597 Overture in C for piano duet
• D 597a Variations in A for violin solo sketches, lost
• D 598 Song for Male Chorus "Das Dörfchen" (sketch)
• D 598a Exercises (not printed)
• D 599 Four Polonaises for piano duet
• D 600 Menuett in c#
• D 601 String Quartet in B flat (fragment, not printed, 32 bars)
• D 602 Three Marches for piano duet opus 27, published as "Trois Marches héroiques"
• D 603 Introduction and Variations on an original theme in B flat for piano duet (doubtful, see D 968a)
• D 604 Andante in A for Piano
• D 605 Fantasia in C for Piano fragment
• D 605a Fantasia in C for Piano "Grazer Fantasie"
• D 606 March in E for Piano
• D 607 "Evangelium Johannes" for soprano and figured bass
• D 608 Rondo in D for piano duet
• D 609 Quartet "Lebenslust"
• D 610 Trio in E for piano (to a lost minuet, probably D 600)
• D 611 Song "Auf der Riesenkoppe"
• D 612 Adagio in E for piano
• D 613 Two movements of a sonata in C for piano (fragment)
• D 614 Song "An den Mond in einer Herbstnacht"
• D 615 Symphony in D sketches, not printed
• D 616 Song "Grablied für die Mutter"
• D 617 Sonata in B flat for piano duet opus 30
• D 618 Deutscher Tanz with two trios and code, and two other Deutsche Tänze for piano duet
• D 618A Polonaises for piano duet (sketches, not printed)
• D 619 Vocal exercises for two voices with figured bass
• D 620 Song "Einsamkeit"
• D 621 Deutsche Trauermesse for four voices with organ (first published as by Ferdinand Schubert)
• D 622 Song "Der Blumenbrief"
• D 623 Song "Das Marienbild"
• D 624 Eight Variations on a French song, in e, for piano opus 10
• D 625 Sonata #11 in f for piano (incomplete)
• D 626 Song "Blondel zu Marien"
• D 627 Song "Das Abendrot"
• D 628 Song "Sonett I"
• D 629 Song "Sonett II"
• D 630 Song "Sonett III"
• D 631 Song "Blanka"
• D 632 Song "Vom Mitleiden Maria"
• D 633 Song "Der Schmetterling"
• D 634 Song "Die Berge"
• D 635 Quartet "Ruhe"
• D 636 Song "Sehnsucht"
• D 637 Song "Hoffnung"
• D 638 Song "Der Jüngling am Bache"
• D 639 Song "Widerschein"
• D 640 Two Ländler (unpublished)
• D 641 Quartet "Das Döfchen" opus 11 #1
• D 642 Chorus "Das Feuerwerk"
• D 643 Deutscher Tanz in c# and Écossaise in D flat for piano
• D 643a Quartet "Das Grab"
• D 644 Melodrama "Die Zauberharfe"
• D 645 Sketch of a song "Abend" (not printed)
• D 646 Song "Die Gebüsche"
• D 647 Singspiel "Die Zwillingsbrüder"
• D 648 Overture in e for orchestra
• D 649 Song "Der Wanderer" (later used as the basis for the Wanderer Fantasy, D 760)
• D 650 Song "Abendbilder"
• D 651 Song "Himmelsfunken"
• D 652 Song "Das Mädchen"
• D 653 Song "Berthas Lied in der Nacht"
• D 654 Song "An die Freunde"
• D 655 Allegro in c# for piano
• D 656 Quintet for Male Chorus "Sehnsucht"
• D 657 Quartet "Ruhe, schönstes Glück der Erde"
• D 658 Song "Marie"
• D 659 Song "Hymne I"
• D 660 Song "Hymne II"
• D 661 Song "Hymne III"
• D 662 Song "Hymne IV"
• D 663 Song "Der 13. Psalm"
• D 664 Sonata #13 in A (opus posth. 120)
• D 665 Quartet "Im traulichen Kreise" (lost)
• D 666 Trio "Kantate zum Geburtstag des Sängers Johann Michael Vogl"
• D 667 Quintet for Piano and strings in A "Forelle" (op. posth. 114, the "Trout" Quintet)
• D 668 Overture in g for piano duet
• D 669 Song "Beim Winde"
• D 670 Song "Der Sternnachte"
• D 671 Song "Trost"
• D 672 Song "Nachtstück"
• D 673 Song "Die Liebende schreibt"
• D 674 Song "Prometheus"
• D 675 Overture in F for piano duet
• D 676 Salve Regina (Drittes Offertorium) in A for soprano and orchestra
• D 677 Song "Die Götter Griechenlands"
• D 677 Song Strophe aus "Die Götter Griechenlands"
• D 678 Mass #5 in A flat (two versions)
• D 679 Two Ländler in E flat for Piano
• D 680 Two Ländler in D flat for Piano
• D 681 Eight Ländler for Piano (of twelve, the first four are lost)
• D 682 Song "Ueber allen Zauber Liebe" (unfinished)
• D 683 Song "Die Wolkenbraut (lost)
• D 684 Song "Die Sterne"
• D 685 Song "Morgenlied" opus 4 #2
• D 686 Song "Frühlingsglaube" opus 20 #2 (also known as "Foi au Printemps")
• D 687 Song "Nachthymne"
• D 688 Four Songs "Vier Canzonen"
• D 689 Easter Cantata "Lazarus, oder Die Feter der Auferstehung" (fragment)
• D 690 Song "Abendröte"
• D 691 Song "Die Vögel"
• D 692 Song "Der Knabe"
• D 693 Song "Der Fluss"
• D 694 Song "Der Schiffer"
• D 695 Song "Namenstagslied"
• D 696 Six Antiphons for the consecration of palms on Palm Sunday, for mixed chorus
• D 697 Five Écossaises for piano
• D 698 Song "Die Fräuleins Liebeslauschen"
• D 698 Song "Liebeslauschen"
• D 699 Song "Der entsühnte Orest"
• D 700 Song "Freiwilliges Versinken"
• D 701 Opera "Sakuntala" (sketches of two acts only)
• D 702 Song "Der Jüngling auf dem Hügel" opus 8 #1
• D 703 Allegro in c for String Quartet #12 (Quartettsatz)
• D 704 Octet "Gesang der Geister über den Wassern" for male voices (unfinished sketch)
• D 705 "Gesang der Geister über den Wassern" for male voice chorus (second sketch, final version is D 714)
• D 706 "Der 23. Psalm" for chorus with piano
• D 707 Song "Der zürnenden Diana" (two versions)
• D 708 Song "Im Walde"
• D 708a Symphony in D (sketches)
• D 709 Quartet "Frühlingsgesang"
• D 710 Quartet "Im Gegenwärtiigen Vergangenes"
• D 711 Song "Lob der Tränen" opus 13 #2
• D 712 Song "Die gefangenen Sänger"
• D 713 Song "Der Unglückliche" two versions
• D 714 Octet "Gesang der Geister über den Wassern" for four tenors and four basses, with strings
• D 715 Song "Versunken"
• D 716 Song "Grenzen der Menschheit"
• D 717 Song "Suleika II" opus 31
• D 718 Variation on a Theme by Diabelli
• D 719 Song "Geheimes" opus 14 #2
• D 720 Song "Suleika I" opus 14 #1
• D 721 Song "Mahomet's Gesang" second version, fragment, first version is D 549
• D 722 Deutscher Tanz in G flat for piano
• D 723 Aria and Duet for Hérold's opera "Das Zauberglöckchen"
• D 724 Quartet "Die Nachtigall"
• D 725 Duet "Linde Lüfte wehen" for mezzo-soprano and tenor with piano (fragment)
• D 726 Song "Mignon" (first version "Heiss' mich nicht reden")
• D 727 Song "Mignon" (third version "So lasst mich scheinen")
• D 728 Song "Johanna Sebus" (fragment)
• D 729 Symphony in E (sketch, not printed)
• D 730 Tantum ergo in B flat for soloists, chorus, and orchestra
• D 731 Song "Der Blumen Schmerz"
• D 732 Opera "Alfonso und Estrella" (three acts, 35 numbers)
• D 733 Three Marches Militaires for piano duet
• D 734 Sixteen Ländler and two Écossaises for piano
• D 735 Galop and eight Écossaises
• D 736 Song "Ihr Grab"
• D 737 Song "An die Leier"
• D 738 Song "Im Haine"
• D 739 Tantum ergo in C for chorus, orchestra, and organ
• D 740 Song for Male Chorus "Frühlingsgesang" opus 16 #1
• D 741 Song "Sei mir gegrüsst!" opus 20 #1
• D 742 Song "Der Wachtelschlag"
• D 743 Song "Selige Welt" opus 23 #2
• D 744 Song "Schwanengesang" opus 23 #3
• D 745 Song "Die Rose"
• D 746 Song "Am See"
• D 747 Quartet "Geist der Liebe" opus 11 #3
• D 748 "Am Geburtstage des Kaisers" for soloists, chorus, and orchestra
• D 749 Song "An Herrn Josef von Spaun, Assessor in Linz (Epistel)"
• D 749 Song "Herr Josef Spaun, Assessor in Linz"
• D 750 Tantum ergo in D for chorus, orchestra, and organ
• D 751 Song "Die Liebe hat gelogen" opus 23 #1
• D 752 Song "Nachtviolen"
• D 753 Song "Heliopolis" called "Aus 'Heliopolis' I"
• D 754 Song "Im Hochgebirge" called "Aus 'Heliopolis' II"
• D 755 Kyrie in a (sketch)
• D 756 Song "Du liebst mich nicht" (two versions)
• D 757 "Gott in der Natur" for two sopranos and two altos with piano
• D 758 Song "Todesmusik"
• D 759 Symphony #8 in b, also known as the "Unfinished Symphony" (two complete movements and nine bars of a Scherzo)
• D 759a Overture to "Alfonso und Estrella"
• D 760 Fantasia in C, "Wanderer Fantasy" (opus 15)
• D 761 Song "Schatzgräbers Begehr" opus 22 #2
• D 762 Song "Schwestergruss"
• D 763 Quartet "Geburtstaghymne" aka "Schicksalslenker" aka "Des Tages Weihe"
• D 764 Song "Der Musensohn"
• D 765 Song "An die Entfernte"
• D 766 Song "Am Flusse"
• D 767 Song "Wilkommen und Abschied"
• D 768 Song "Wandrers Nachtlied II"
• D 769 Two Deutsche Tänze for piano
• D 769a Sonata in e for piano fragment, was D 994
• D 770 Song "Drang in die Ferne"
• D 771 Song "Der Zwerg"
• D 772 Song "Wehmut"
• D 773 Overture to "Alfonso und Estrella" arranged for piano duet
• D 774 Song "Auf dem Wasser zu singen" opus 72
• D 775 Song "Dass sie hier gewesen"
• D 776 Song "Du bist die Ruh'"
• D 777 Song "Lachen und Weinen"
• D 778 Song "Griesengesang"
• D 778b Quartet "Ich hab in mich gesogen" sketch
• D 779 Thirty-four Valses Sentimentales for piano
• D 780 Six Moments musicaux for piano opus 94
• D 781 Twelve (eleven) Écossaises for piano
• D 782 Écossaise in D for piano
• D 783 Sixteen German Dances and two Écossaises for piano
• D 784 Sonata #14 in a (op. posth. 143)
• D 785 Song "Der zürnende Barde"
• D 786 Song "Viola"
• D 787 Singspiel "Die Verschworenen" (12 numbers) #3 Romanze: "Ich schleiche bang und still"
• D 788 Song "Die Mutter Erde"
• D 790 Twelve Deutsche Tänze, called Ländler, for piano
• D 791 Sketches for an opera "Rüdiger" not printed
• D 792 Song "Vergissmeinicht"
• D 793 Song "Das Geheimnis"
• D 794 Song "Der Pilgrim"
• D 795 Song Cycle, Die Schöne Müllerin, which contains the following songs:
  • 1. "Das Wandern"
  • 2. "Wohin?"
  • 3. "Halt!"
  • 4. "Danksagung an den Bach"
  • 5. "Am feierabend"
  • 6. "Der Neugierige"
  • 7. "Ungeduld"
  • 8. "Morgengruss"
  • 9. "Des Müllers Blumen"
  • 10. "Thränenregen"
  • 11. "Mein!"
  • 12. "Pause"
  • 13. "Mit dem grünen Lautenbande"
  • 14. "Der Jäger"
  • 15. "Eifersucht und Stolz"
  • 16. "Die liebe Farbe"
  • 17. "Die böse Farbe"
  • 18. "Trockne Blumen"
  • 19. "Der Müller und der Bach"
  • 20. "Das Baches Wiegenlied"
• D 796 Opera "Fierabras" (in three acts, 23 numbers)
• D 797 Incidental music to "Rosamunde, Fürstin von Cypern" opus 26 (#3b Romanze: "Der Vollmond strahlt")
• D 798 Overture to "Fierabras" arranged for piano duet
• D 799 Song "Im Abendrot"
• D 800 Song "Der Einsame"
• D 801 Song "Dithyrambe"
• D 802 Introduction & Variations on "Trockne Blumen"
• D 803 Octet in F for string and wind instruments (op. posth. 166)
• D 804 String Quartet #13 in A minor "Rosamunde" (opus 29)
• D 805 Song "Der Sieg"
• D 806 Song "Abendstern"
• D 807 Song "Auflösung"
• D 808 Song "Gondelfahrer"
• D 809 Song for Male Chorus "Der Gondelfahrer" opus 28
• D 810 String Quartet #14 in d "Death and the Maiden"
• D 811 Salve Regina in C for quartet
• D 812 Sonata in C for piano duet, called Grand Duo (op. posth. 140)
• D 813 Eight Variations on an original theme in A flat for piano duet
• D 814 Four Ländler for piano duet
• D 815 Quartet "Gebet"
• D 816 Three Écossaises for piano
• D 817 Ungarische Melodie in b for piano
• D 818 Divertissement à la hongroise in g for piano duet opus 54
• D 819 Six Grand Marches and Trios for piano duet
• D 820 Six Deutsche Tänze for piano
• D 821 Sonata in A minor for Piano and Arpeggione
• D 822 Song "Lied eines Kriegers" for bass with unison chorus
• D 823 Divertissement in e for piano duet (published as Andantino Varié)
• D 824 Six Polonaises for piano duet
• D 825 Quartet for Male Chorus "Wehmut"
• D 825a Quartet "Ewige Liebe"
• D 825b Quartet "Flucht"
• D 826 Quartet "Der Tanz"
• D 827 Song "Nacht und Träume"
• D 828 Song "Die junge Nonne"
• D 829 Song "Abschied"
• D 830 Song "Lied der Anne"
• D 831 Song "Gesang der Norna"
• D 832 Song "Des Sängers Habe"
• D 833 Song "Der blinde Knabe"
• D 834 Song "Im Walde"
• D 835 Quartet "Bootgesang"
• D 836 Chorus "Coronach"
• D 837 Song "Ellens Gesang I"
• D 838 Song "Ellens Gesang II"
• D 839 Song "Ellens Gesang III" (known as: Ave Maria)
• D 840 Sonata #15 in C called "Reliquie" (third and fourth movements incomplete)
• D 841 Two Deutsche Tänze for piano
• D 842 Song "Totengräbers Heimweh"
• D 843 Song "Lied des gefangenen Jägers"
• D 844 Walzer in G called "Albumblatt"
• D 845 Sonata #16 in an opus 42
• D 846 Song "Normans Gesang"
• D 847 Quartet "Trinklied aus dem XVI. Jahrhundert"
• D 848 Chorus "Nachtmusik" (op. posth. 156)
• D 849 Symphony (lost, known as "Gmunden-Gastein")
• D 850 Sonata #17 in D opus 53
• D 851 Song "Das Heimweh"
• D 852 Song "Die Allmacht"
• D 853 Song "Auf der Bruck"
• D 854 Song "Fülle der Liebe"
• D 855 Song "Wiedersehn"
• D 856 Song "Abendlied für die Entfernte"
• D 857 Song "Delphine"
• D 858 March for two pianos (doubtful, unpublished)
• D 859 Grande Marche funèbre à l'occasion de la mort de S. M. Alexandre I, Empereur de toutes les Russies, in c, for piano duet
• D 860 Song "An mein Herz"
• D 861 Song "Der liebliche Stern"
• D 862 Song "Um Mitternacht"
• D 863 Song "An Gott" (lost)
• D 864 Song "Das Totenhemdchen" (lost)
• D 865 Quartet "Widerspruch"
• D 866 Vier Refrain-Lieder; individual songs are:
  • 1. "Die Unterscheidung"
  • 2. "Bei dir allein"
  • 3. "Die Männer sind máchant!"
  • 4. "Irdisches Glück"
• D 867 Song "Wiegenlied"
• D 868 Song "Das Echo" op. posth. 130
• D 869 Song "Totengräber-Weise"
• D 870 Song "Der Wanderer an den Mond"
• D 871 Song "Das Zügenglöcklein"
• D 872 "Gesange zur Feier des heiligen Opfers der Messe" called "Deutsche Messe" for mixed chorus, winds, and organ
• D 873 Canon a sei (unpublished)
• D 873a Quartet "Nachklänge" (sketch)
• D 874 Sketch of a song "O Quell, was strömst du rasch und wild" (not printed)
• D 875 Quintet "Mondenschein"
• D 875a Quartet "Die Allmacht" (sketch)
• D 876 Song "Ich bin von aller Ruh' gescheiden" called "Tiefes Leid" (original title: "Im Jänner 1817")
• D 877 Four Songs from Goethe's "Wilhelm Meister"
  • 1. "Mignon und der Harfner"
  • 2. "Lied der Mignon" ("Heiss' mich nicht reden")
  • 3. "Lied der Mignon" ("So lasst mich scheinen")
  • 4. "Lied der Mignon" ("Nur wer die Sehnsucht kennt")
• D 878 Song "Am Fenster"
• D 879 Song "Sehnsucht"
• D 880 Song "Im Freien"
• D 881 Song "Fischerweise" (two versions)
• D 882 Song "Im Frühling"
• D 883 Song "Lebensmut"
• D 884 Song "Ueber Wildemann"
• D 885 Grande March héroïque composée à l'occasion du Sacre de Sa Majesté Nicolas I, Empereur des toutes les Russies, in a, for piano duet
• D 886 Two Marches caractéristiques in C for piano duet
• D 887 String Quartet #15 in G op. posth. 161
• D 888 Song "Trinklied"
• D 889 Song "Ständchen" ("Horch! Horch! die Lerch!")
• D 890 Song "Hippolits Lied"
• D 891 Song "Gesang" called "An Sylvia"
• D 892 Song "Nachthelle" for temor solo and Male Chorus with piano
• D 893 Quartet "Grab und Mond"
• D 894 Sonata #18 in G, called Fantasia opus 78
• D 895 Rondo in b for piano and violin opus 70, as "Rondeau brillant"
• D 896 Sketch of a Song "Fröliches Scheiden"
• D 897 Adagio in E flat for piano trio, called "Notturno"
• D 898 Trio for Piano #1 in B flat opus 99
• D 899 Four Impromptus for piano opus 90
• D 900 Allegretto in c for Piano fragment
• D 901 Quartet "Wein und Liebe"
• D 902 Drei Gesänge
  • 1. "L'incanto degli occhi"
  • 2. "Il traditor deluso"
  • 3. "Il modo di prender moglie"
• D 903 Song with chorus "Zur guten Nacht"
• D 904 Song "Alinde"
• D 905 Song "An die Laute"
• D 906 Song "Der Vater mit dem Kind"
• D 907 Song "Romanze des Richard Löwenherz"
• D 908 Variations on a Theme from Herold's "Marie" in C
• D 909 Song "Jägers Liebeslied"
• D 910 D 910 "Schiffers Scheidelied"
• D 911 Song cycle "Winterreise", which includes the following songs:
  • 1. "Gute Nacht"
  • 2. "Die Wetterfahne"
  • 3. "Gefror'ne Tränen"
  • 4. "Erstarrung"
  • 5. "Der Lindenbaum"
  • 6. "Wasserflut"
  • 7. "Auf dem Flusse"
  • 8. "Rückblick"
  • 9. "Irrlicht"
  • 10. "Rast" (two versions)
  • 11. "Frühlingstraum"
  • 12. "Einsamkeit" (two versions)
  • 13. "Die Post"
  • 14. "Der greise Kopf"
  • 15. "Die Krähe"
  • 16. "Letzte Hoffnung"
  • 17. "Im Dorfe"
  • 18. "Der stürmische Morgen"
  • 19. "Täuschung"
  • 20. "Der Wegweiser"
  • 21. "Das Wirtshaus"
  • 22. "Mut"
  • 23. "Die Nebensonnen"
  • 24. "Der Leiermann" (two versions)
• D 912 "Schlachtlied" for male double voice chorus
• D 913 Quartet "Nachtgesang im Walde"
• D 914 Quartet "Frühlingslied"
• D 915 Allegretto in c for piano
• D 916 Quartet "Das stille Lied" (not printed)
• D 916a
• D 916b Piano piece in C (sketch)
• D 916c Piano piece in c (sketch)
• D 917 "Das Lied im Grünen"
• D 918 Opera "Der Graf von Gleichen" (sketch, one chorus only published)
• D 919 Song "Frülingslied"
• D 920 "Ständchen" ("Zögernd leise") called "Notturno" for contralto solo and chorus with piano (first version)
• D 921 "Ständchen" ("Zögernd leise") called "Notturno" for contralto solo and chorus with piano (second version)
• D 922 Song "Heimliches Lieben"
• D 923 Song "Eine altschottische Ballade" (two versions)
• D 924 Twelve Grazer Walzer for piano
• D 925 Grazer Galopp for piano
• D 926 Song "Das Weinen"
• D 927 Song "Vor meiner Wiege"
• D 928 Kindermarsch in G for piano duet
• D 929 Trio for Piano #2 in E flat opus 100
• D 930 Comic Trio "Der Hochzeitsbraten"
• D 931 Song "Der Wallensteiner Lanzknecht beim Trunk"
• D 932 Song "Der Kreuzzug"
• D 933 Song "Des Fischers Liebesglück"
• D 934 Fantasia in C for piano and violin (op. posth. 159)
• D 935 Four Impromptus for piano (op. posth. 142)
• D 936 Sextet "Kantate zur Feier der Genesung des Fräulein Irene von Kiesewetter"
• D 936a Symphony in D (sketches)
• D 937 Song "Lebensmut" (fragment)
• D 938 Song "Der Winterabend"
• D 939 Song "Die Sterne"
• D 940 Fantasia in f for Piano duet
• D 941 Quartet "Hymnus an den heiligen Geist" first version, lost, second version is D 948, final version is D 964
• D 942 Song "Mirjam's Siegesgesang" for soprano solo and chorus with piano
• D 943 Song "Auf den Strom"
• D 944 Symphony #9 in C, known as "The Great"
• D 944A Deutscher Tanz for piano (lost)
• D 945 Song "Herbst"
• D 946 Three Impromptus for piano, called "Drei Klavierstücke"
• D 947 Allegro in a for piano duet, called "Lebensstürme" (op. posth. 144)
• D 948 Quartet "Hymnus an den heiligen Geist" second version
• D 949 Song "Widerschein"
• D 950 Mass #6 in E flat for Quartet, mixed chorus, and orchestra
• D 951 Rondo in A for piano duet
• D 952 Fugue in e for Organ or piano duet op. posth. 152
• D 953 "Der 92. Psalm, Lied für den Sabbath" for baritone solo and chorus
• D 954 Chorus "Glaube, Hoffnung und Liebe" with winds
• D 955 Song "Glaube, Hoffnung und Liebe" opus 97
• D 955a Song "She Loves You" opus 97
• D 956 Quintet in C for two violins, viola, and two cellos (op. posth. 163)
• D 957 Song Cycle "Schwanengesang", including following songs:
  • "Liebesbotschaft"
  • "Kriegers Ahnung"
  • "Frühlingssehnsucht"
  • "Ständchen" (also called "Serenade")
  • "Aufenhalt"
  • "In der Ferne"
  • "Abschied"
  • "Der Atlas"
  • "Ihr Bild"
  • "Das Fischermädchen"
  • "Die Stadt"
  • "Am Meer"
  • "Der Doppelgänger"
• D 958 Sonata in C minor for piano
• D 959 Sonata in A for piano
• D 960 Sonata in B-flat for piano
• D 961 Second Benedictus of the Mass in C, for quartet, mixed chorus, orchestra, and organ for D 452
• D 962 Tantum Ergo in E flat, for quartet, mixed chorus, and orchestra
• D 963 Offertorium in B flat, for tenor, chorus, and orchestra
• D 964 "Hymnus an den heiligen Geist" for eight male voices, soli, and chorus, with winds
• D 965 Song "Der Hirt auf dem Felsen" with piano and clarinet or cello (op. posth. 129)
• D 965a Song "Die Taubenpost"
• D 966 Fragment of an Orchestral Score in D
• D 966a Fragment of an Orchestral Score in D now D 71c
• D 966b Orchestral sketches in A (fragment)
• D 967 Fugue in four parts for piano (sketch, now D 37a)
• D 968 Allegro moderato in C and Andante in a, called "Sonatine" for piano duet
• D 969 Twelve Valses Nobles for piano opus 77
• D 970 Six Deutsche Tänze for piano
• D 971 Three Deutsche Tänze for piano
• D 972 Three Deutsche Tänze for piano
• D 973 Three Deutsche Tänze for piano
• D 974 Two Deutsche Tänze for piano
• D 975 Deutsche Tanz in D for piano
• D 976 Cotillon in E flat for piano
• D 977 Eight Écossaises for piano
• D 978 Walzer in A flat for piano
• D 979 Walzer for piano
• D 980 Two Walzer for piano
• D 980a
• D 980b
• D 980c
• D 980d
• D 980e
• D 980f March in G for piano
• D 981 Singspiel "Der Minnesänger" (fragment, lost)
• D 982 Sketches of an opera
• D 983 Four quartets (opus 17)
  • 1. "Jünglingswonne"
  • 2. "Liebe"
  • 3. "Zum Rundetanz"
  • 4. "Die Nacht"
• D 984 Quartet "Der Wintertag"
• D 985 Quartet "Gott im Ungewitter"
• D 986 Quartet 'Gott der Weltschöpfer"
• D 987 Quartet "Osterlied" (now D 168a)
• D 988 Canon "Liebe säuseln die Blätter" for three voices
• D 989 Song "Die Erde" (lost)
• D 990 Song "Der Graf von Habsburg" (fragment)
• D 991 Song "O lasst euch froh begrüssen, Kinder der vergnügten Au" (fragment)
• D 992 Part-song "Wer wird sich nicht innig freuen" (fragment)
• D 993 Fantasia in c for piano now D 2e (The second section, Andantino, is reminiscent of the corresponding section in Mozart's Fantasia, K 475.)
• D 994 Allegro in e for piano (now D 769a)
• D 995 Two minuets for piano (now D 2d)
• D 996 Overture in D for orchestra (now D 2a)
• D 997 Fragment of a Symphony in D (now D 2b)
• D 998 Fragment of a String Quartet in (?) F

The purpose of our video library is to maintain a high quality index of the classical recordings available on YouTube. As these videos are not hosted on our own web page they might be deleted without our knowledge. If you come across a video that won't play please contact us and we will do our best to resolve the issue.

All videos are played in this browser window without interfering with your browsing of this site. So feel free to watch anything that peaks your interest.

If you find a video on YouTube that deserves to be in our index - contact us!

Orchestral
SYMPHONY 9 Mov 1,1 performed by Karl Böhm
SYMPHONY 9 Mov 1,2 performed by Karl Böhm
SYMPHONY 9 Mov 2,1 performed by Karl Böhm
SYMPHONY 9 Mov 2,2 performed by Karl Böhm
SYMPHONY 9 Mov 3,2 performed by Karl Böhm
SYMPHONY 9 Mov 4,1 performed by Karl Böhm
SYMPHONY 9 Mov 4,2 performed by Karl Böhm

Piano
Impromptu Op. 90-4 performed by Artur Rubinstein
Piano Sonata D. 958 part 1 performed by Alfred Brendel
Piano Sonata D. 958 part 2 performed by Alfred Brendel
Piano Sonata D. 958 part 3,1 performed by Alfred Brendel
Piano Sonata D. 958 part 3,2 performed by Alfred Brendel
Piano Sonata D. 959 part 1,1 performed by Alfred Brendel
Piano Sonata D. 959 part 1,2 performed by Alfred Brendel
Piano Sonata D. 959 part 2 performed by Alfred Brendel
Piano Sonata D. 959 part 3 performed by Alfred Brendel
Piano Sonata D. 959 part 4,1 performed by Alfred Brendel
Piano Sonata D. 959 part 4,2 performed by Alfred Brendel
Piano Sonata D. 960 Mov 1,1 performed by Alfred Brendel
Piano Sonata D. 960 Mov 1,2 performed by Alfred Brendel
Piano Sonata D. 960 Mov 2 performed by Alfred Brendel
Piano Sonata D. 960 Mov 3 performed by Alfred Brendel
Piano Sonata D. 960 Mov 4 performed by Alfred Brendel

Song
An die Musik performed by Fritz Wunderlich
Der Aolsharfe performed by Fritz Wunderlich
Der Wacthenschlag performed by Fritz Wunderlich
Die Erlkönig performed by Fischer-Dieskau
Die Schöne Müllerin performed by Fritz Wunderlich
Röslein Auf der Heide-Die Forelle-An Silvia-Das Wandern performed by Fritz Wunderlich
Ständchen performed by Fritz Wunderlich

This is a collection of links to the best free music available on the net. The collection is evergrowing - or perhaps everchanging - since we do not host these files ourselves. We try to keep our database as up to date as possible but sometimes we just can't keep up with all the changes. If you find a dead link please contact us and we will remove it as soon as possible.

If you find some other high quality recording that is not featured in our database, and which is free to the public. Please contact us as well so we can keep the quality of this database as high as possible.

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Schubert - Moment Musical No. 2 in A-flat Major
Schubert - Piano Sonata in A minor, D.784, Allegro Giusto
Schubert - Piano Sonata in G major, D.894 - Allegretto
Schubert - Piano Sonata in G major, D.894 - Andante
Schubert - Piano Sonata in G major, D.894 - Menuetto
Schubert - Piano Sonata in G major, D.894 - Moderato
Schubert - Violin Trio, Violincello och Piano, i E flat Major, Op. 100

Let's see if I can read your mind! Your first thought about this page was - "Why make a page with almost the same content as Wikipedias classical section, YouTube and the top free classical music download sites on the internet?". Were I right? Well even if that wasn't your first thought it is a question worth answering!

The internet is a wonderful place - never before has so much information been so easily accessible and never before have so many people been able to work together so easily. However, the strength of the web is also it's weakness - for too much information published in an unorganized fashion will deter most people from ever digging deep enough to find the real nuggets.

In other words - the internet is full of amazing content but sometimes it can be hard to find.

That's where Al Segno comes in, well at least that's the idea. If what you're looking for is related to classical music and classical composers we hope that you will be able to find it here! For the first release of this website we have added four composers - Ludvig van Beethoven, Johann Sebastian Bach, Pyotr Ilyich Tchaikovsky and Wolfgang Amadeus Mozart. For each of these composers you will find:

• An extensive biography including a list of their works (From Wikipedia)
• A comprehensive and easily browseable index of videos of high quality performances (YouTube)
• MP3s, podcasts and recordings of their music (Different pages).

As of now - August, 27th 2008 - Al Segnos composer portraits database has been officially launched.